1918., Paul Klee je naslikao sliku koju je nazvao "Potopljeni krajolik". Kleeov komentar koji mi je zagolicao pažnju odnosio se na Južni Mjesec koji prepričava priču Sjevernog Mjeseca, njegove nestabilnosti, njegove misije da pronađe svoju nevjestu, svoje drugo ja. Kada se zagleda u sliku, pogled se utaplja u novonastajućim slojevima njezinog krajolika. To je onaj dio dana kada je Mjesec na nebu i u vodi, kada uživa u svojem sanjarenju. Južni Mjesec sanja o Sjevernom Mjesecu, dok se Sjeverni Mjesec sjeća Južnog.
In 1918 Paul Klee did a painting which he named "Versunkene Landschaft" ("Sunken Landscape"). The comment of his that caught my attention related to the Moon of the South who told the story of the Moon of the North, his uncertainty, his quest to find his bride, his other self. The more one looks at the painting, the more one gets sunken in the emerging layers of the landscape. It is the part of the day when Moon is up in the sky and down in the water having it's daydream. Moon of the South dreams of the Moon of the North while the Moon of the North remembers of the Moon of the South.
In 1918 Paul Klee did a painting which he named "Versunkene Landschaft" ("Sunken Landscape"). The comment of his that caught my attention related to the Moon of the South who told the story of the Moon of the North, his uncertainty, his quest to find his bride, his other self. The more one looks at the painting, the more one gets sunken in the emerging layers of the landscape. It is the part of the day when Moon is up in the sky and down in the water having it's daydream. Moon of the South dreams of the Moon of the North while the Moon of the North remembers of the Moon of the South.
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